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FIGURATIVE and PORTRAITS With today's technology, traditional portraiture can be accomplished beautifully through photography.
The digital revolution has further pushed the medium, creating the ability to readily
enhance the photographic portrait with many effects such as soft focus, color and tonal manipulation, and combining elements
such as backgrounds and other photos. Why, then, do a portrait in paint?
Because a really gifted artist can express the energy or character of the person. Let
me rephrase what Salvatore Del Deo, a reknown portrait artist and also a mentor,
says: 'When painting a subject, the artist should record not only the image of the person but also capture their spirit
and energy ... in an arrangement of having the subject pose for you, the accomplished painter records the air between
the subject and canvas.' This, a photograph will never be able to convey.
"PETER,
SEATED" image size: 14"x18", oil on canvas; signed LL; 2011
"PETER, OUR ITALIAN MODEL" image size:20"x16", oil on canvas; signed
LL; 2011 "TEN
MINUTE STUDY OF PETER" image size:12"x12", oil on canvas; signed LL; 2011
" Looking in the Mirror
" image size: 12"x 9" oil on canvas over board; dyed
silk signed LL; 2009 I've never really liked looking at myself in the
mirror. And when I do, it's usually checking parts rather than the whole; some parts look good, others are disappointing.
In this painting, the subject is scrutinizing her rear end, breasts, and thighs in a rather raw presentation. 
"SHY JOE" image
size: 14"x11", oil on canvas; signed LL; 2011 " JOE, FULL FIGURE" image
size: 16" x 12", oil on canvas; signed LR; 2011
"WORRIED JOE" image size: 14"x 11", oil on canvas;
signed LL; 2011
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